Monday, May 2, 2011

Ice Cream Aloha

     The Art 

     The long endurance of bioforms where knowledge grows from nothing to minuscule to something seen and known is intelligence, where an artist gestures her brush slower than any imagined slowness to take care of every subtlety, where DNA machinery--even with all its loopholes to rationalism--is not factory borne (not in the truest sense of the word, just industrious), only using historicisms as default mode.  
     Suzi becomes the lover with the smoothest of gestures, scans the jungle with her logic language, her most honest rendering of what lay here. In the darkness ideas are not expressed in words, at least not words theHumans knew that could be arranged in a beneficial, useable form for the medical exchange sequence services(M.E.S.S.) of ZContinent. She moves into the jungle with gestures, the smoothest ever artificially devised (maybe, even smoother than theHumans) for this topology but really, there had been no contest to really know. Her smoothness of movement seems to create its own sensations (exactly what, theHumans may never have known). The sensory experience of the patterns of DNA, the language of Nature, hearing her very words--beyond merely pure thinking--words of an instant artist as a gentle surrendering of her secrets, the weavings of the eons. It seems as if Suzi's lasers illuminate the data for the very first time, debunking impossibility of renderings through simplicity. Suzi could have been an art therapist  

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